Gentlemen, the King!
by Damon Runyon

On Tuesday evening I always go to Bobby's Chop House to get myself a beef stew, the beef stews in Bobby's being very nourishing, indeed, and quite reasonable. In fact, the beef stews in Bobby's are considered a most fashionable dish by one and all on Broadway on Tuesday evenings.

So on this Tuesday evening I am talking about, I am in Bobby's wrapping myself around a beef stew and reading the race results in the Journal, when who comes into the joint but two old friends of mine from Philly, and a third guy I never see before in my life, but who seems to be an old sort of guy, and very fierce looking.

One of these old friends of mine from Philly is a guy by the name of Izzy Cheesecake, who is called Izzy Cheesecake because he is all the time eating cheesecake around delicatessen joints, although of course this is nothing against him, as cheesecake is very popular in some circles, and goes very good with java. Anyway, this Izzy Cheesecake has another name, which is Morris something, and he is slightly Jewish, and has a large beezer, and is considered a handy man in many respects.

The other old friend of mine from Philly is a guy by the name of Kitty Quick, who is maybe thirty-two or three years old, and who is a lively guy in every way. He is a great hand for wearing good clothes, and he is mobbed up with some very good people in Philly in his day, and at one time has plenty of dough, although I hear that lately things are not going so good for Kitty Quick, or for anybody else in Philly, as far as that is concerned.

Now of course I do not rap to these old friends of mine from Philly at once, and in fact I put the Journal up in front of my face, because it is never good policy to rap to visitors in this town, especially visitors from Philly, until you know why they are visiting. But it seems that Kitty Quick spies me before I can get the Journal up high enough, and he comes over to my table at once, bringing Izzy Cheesecake and the other guy with him, so naturally I give them a big hello, very cordial, and ask them to sit down and have a few beef stews with me, and as they pull up chairs, Kitty Quick says to me like this:

'Do you know Jo-jo from Chicago?' he says, pointing his thumb at the third guy.

Well, of course I know Jo-jo by his reputation, which is very alarming, but I never meet up with him before, and if it is left to me, I will never meet up with him at all, because Jo-jo is considered a very uncouth character, even in Chicago.

He is an Italian, and a short wide guy, very heavy set, and slow moving, and with jowls you can cut steaks off of, and sleepy eyes, and he somehow reminds me of an old lion I once see in a cage in Ringling's circus. He has a black moustache, and he is an old-timer out in Chicago, and is pointed out to visitors to the city as a very remarkable guy because he lives as long as he does, which is maybe forty years.

His right name is Antonio something, and why he is called Jo-jo I never hear, but I suppose it is because Jo-jo is handier than Antonio. He shakes hands with me, and says he is pleased to meet me, and then he sits down and begins taking on beef stew very rapidly while Kitty Quick says to me as follows:

'Listen,' he says, 'do you know anybody in Europe?'

Well, this is a most unexpected question, and naturally I am not going to reply to unexpected questions by guys from Philly without thinking them over very carefully, so to gain time while I think, I say to Kitty Quick:

'Which Europe do you mean?'

'Why,' Kitty says, greatly surprised, 'is there more than one Europe? I mean the big Europe on the Atlantic Ocean. This is the Europe where we are going, and if you know anybody there we will be glad to go around and say hello to them for you. We are going to Europe on the biggest proposition anybody ever hears of,' he says. 'In fact,' he says, 'it is a proposition which will make us all rich. We are sailing to-night.'

Well, offhand I cannot think of anybody I know in Europe, and if I do know anybody there I will certainly not wish such parties as Kitty Quick, and Izzy Cheesecake, and Jo-jo going around saying hello to them, but of course I do not mention such a thought out loud. I only say I hope and trust that they have a very good Bon Voyage and do not suffer too much from seasickness. Naturally I do not ask what their proposition is, because if I ask such a question they may think I wish to find out, and will consider me a very nosey guy, but I figure the chances are they are going to look after some commercial matter, such as Scotch, or maybe cordials.

Anyway, Kitty Quick and Izzy Cheesecake and Jo-jo eat up quite a few beef stews, and leave me to pay the check, and this is the last I see or hear of any of them for several months. Then one day I am in Philly to see a prizefight, and I run into Kitty Quick on Broad Street, looking pretty much the same as usual, and I ask him how he comes out in Europe.

'It is no good,' Kitty says. 'The trip is something of a bust, although we see many interesting sights, and have quite a few experiences. Maybe,' Kitty says, 'you will like to hear why we go to Europe? It is a very unusual story, indeed, and is by no means a lie, and I will be pleased to tell it to someone I think will believe it.'

So we go into Walter's restaurant, and sit down in a corner, and order up a little java, and Kitty Quick tells me the story as follows:

It all begins [Kitty says] with a certain big lawyer corning to me here in Philly, and wishing to know if I care to take up a proposition which will make me rich, and naturally I say I can think of nothing that will please me more, because at this time things are very bad indeed in Philly, what with investigations going on here and there, and plenty of heat around and about, and I do not have more than a few bobs in my pants pocket, and can think of no way to get any more.

So this lawyer takes me to the Ritz-Carlton hotel, and there he introduces me to a guy by the name of Count Saro, and the lawyer says he will okay anything Saro has to say to me 100 per cent., and then he immediately takes the wind as if he does not care to hear what Saro has to say. But I know this mouthpiece is not putting any proposition away as okay unless he knows it is pretty much okay, because he is a smart guy at his own dodge, and everything else, and has plenty of coconuts.

Now this Count Saro is a little guy with an eyebrow moustache, and he wears striped pants, and white spats, and a cutaway coat, and a monocle in one eye, and he seems to be a foreign nobleman, although he talks English first rate. I do not care much for Count Saro's looks, but I will say one thing for him he is very businesslike, and gets down to cases at once.

He tells me that he is the representative of a political party in his home country in Europe which has a King, and this country wishes to get rid of the King, because Count Saro says Kings are out of style in Europe, and that no country can get anywhere with a King these days. His proposition is for me to take any assistants I figure I may need and go over and get rid of this King, and Count Saro says he will pay two hundred G's for the job in good old American scratch, and will lay twenty-five G's on the line at once, leaving the balance with the lawyer to be paid to me when everything is finished.

Well, this is a most astonishing proposition, indeed, because while I often hear of propositions to get rid of other guys, I never before hear of a proposition to get rid of a King. Furthermore, it does not sound reasonable to me, as getting rid of a King is apt to attract plenty of attention, and criticism, but Count Saro explains to me that his country is a small, out-of-the-way country, and that his political party will take control of the telegraph wires and everything else as soon as I get rid of the King, so nobody will give the news much of a tumble outside the country.

'Everything will be done very quietly, and in good order,' Count Saro says, 'and there will be no danger to you whatever.'

Well, naturally I wish to know from Count Saro why he does not get somebody in his own country to do such a job, especially if he can pay so well for it, and he says to me like this:

'Well,' he says, 'in the first place there is no one in our country with enough experience in such matters to be trusted, and in the second place we do not wish anyone in our country to seem to be tangled up with getting rid of the King. It will cause internal complications,' he says. 'An outsider is more logical,' he says, 'because it is quite well known that in the palace of the King there are many valuable jewels, and it will seem a natural play for outsiders, especially Americans, to break into the palace to get these jewels, and if they happen to get rid of the King while getting the jewels, no one will think it is anything more than an accident, such as often occurs in your country.'

Furthermore, Count Saro tells me that everything will be laid out for me in advance by his people, so I will have no great bother getting into the palace to get rid of the King, but he says of course I must not really take the valuable jewels, because his political party wishes to keep them for itself.

Well, I do not care much for the general idea at all, but Count Saro whips out a bundle of scratch, and weeds off twenty-five large coarse notes of a G apiece, and there it is in front of me, and looking at all this dough, and thinking how tough times are, what with banks busting here and there, I am very much tempted indeed, especially as I am commencing to think this Count Saro is some kind of a nut, and is only speaking through his hat about getting rid of a King.

'Listen,' I say to Count Saro, as he sits there watching me, 'how do you know I will not take this dough off of you and then never do anything whatever for it?'

'Why,' he says, much surprised, 'you are recommended to me as an honest man, and I accept your references. Anyway,' he says, 'if you do not carry out your agreement with me, you will only hurt yourself, because you will lose a hundred and seventy-five G's more and the lawyer will make you very hard to catch.'

Well, the upshot of it is I shake hands with Count Saro, and then go out to find Izzy Cheesecake, although I am still thinking Count Saro is a little daffy, and while I am looking for Izzy, who do I see but Jo-jo, and Jo-jo tells me that he is on vacation from Chicago for awhile, because it seems somebody out there claims he is a public enemy, which Ja-jo says is nothing but a big lie, as he is really very fond of the public at all times.

Naturally I am glad to come across a guy such as Jo-jo, because he is most trustworthy, and naturally Jo-jo is very glad to hear of a proposition that will tum him an honest dollar while he is on his vacation. So Jo-jo and Izzy and I have a meeting, and we agree that I am to have a hundred G's for finding the plant, while Izzy and Jo-jo are to get fifty G's apiece, and this is how we come to go to Europe.

Well, we land at a certain spot in Europe, and who is there to meet us but another guy with a monocle, who states that his name is Baron von Terp, or some such, and who says he is representing Count Saro, and I am commencing to wonder if Count Saro's country is filled with one-eyed guys. Anyway, this Baron von Terp takes us travelling by trains and automobiles for several days, until finally after an extra long hop in an automobile we come to the outskirts of a nice-looking little burg, which seems to be the place we are headed for.

Now Baron von Terp drops us in a little hotel on the outskirts of the town, and says he must leave us because he cannot afford to be seen with us, although he explains he does not mean this as a knock to us. In fact, Baron von Terp says he finds us very nice travelling companions, indeed, except for Jo-jo wishing to engage in target practice along the route with his automatic Roscoe, and using such animals as stray dogs and chickens for his targets. He says he does not even mind Izzy Cheesecake's singing, although personally I will always consider this one of the big drawbacks to the journey.

Before he goes, Baron von Terp draws me a rough diagram of the inside of the palace where we are to get rid of the King, giving me a layout of all the rooms and doors. He says usually there are guards in and about this palace, but that his people arrange it so these guards will not be present around nine o'clock this night, except one guy who may be on guard at the door of the King's bedroom, and Baron von Terp says if we guzzle this guy it will be all right with him, because he does not like the guy, anyway.

But the general idea, he says, is for us to work fast and quietly, so as to be in and out of there inside of an hour or so, leaving no trail behind us, and I say this will suit me and Izzy Cheesecake and Jo-jo very well, indeed, as we are getting tired of travelling, and wish to go somewhere and take a long rest.

Well, after explaining all this, Baron von Terp takes the wind, leaving us a big fast car with an ugly-looking guy driving it who does not talk much English, but is supposed to know all the routes, and it is in this car that we leave the little hotel just before nine o'clock as per instructions, and head for the palace, which turns out to be nothing but a large square old building in the middle of a sort of park, with the town around and about, but some distance off.

Ugly-face drives right into this park and up to what seems to be the front door of the building, and the three of us get out of the car, and Ugly-face pulls the car off into the shadow of some trees to wait for us.

Personally, I am looking for plenty of heat when we start to go into the palace, and I have the old equalizer where I can get at it without too much trouble, while Jo-jo and Izzy Cheesecake also have their rods handy. But just as Baron von Terp tells us, there are no guards around, and in fact there is not a soul in sight as we walk into the palace door, and find ourselves in a big hall with paintings, and armour, and old swords, and one thing and another hanging around and about, and I can see that this is a perfect plant, indeed.

I out with my diagram and see where the King's bedroom is located on the second floor, and when we get there, walking very easy, and ready to start blasting away if necessary, who is at the door but a big tall guy in a uniform, who is very much surprised at seeing us, and who starts to holler something or other, but what it is nobody will ever know, because just as he opens his mouth, Izzy Cheesecake taps him on the noggin with the butt of a forty-five, and knocks him cock-eyed.

Then Jo-jo grabs some cord off a heavy silk curtain which is hanging across the door, and ties the guy up good and tight, and wads a handkerchief into his kisser in case the guy comes to, and wishes to start hollering again, and when all this is done, I quietly turn the knob of the door to the King's bedroom, and we step into a room that looks more like a young convention hall than it does a bedroom, except that it is hung around and about with silk drapes, and there is much gilt furniture here and there.

Well, who is in this room but a nice-looking doll, and a little kid of maybe eight or nine years old, and the kid is in a big bed with a canopy over it like the entrance to a night club, only silk, and the doll is sitting alongside the bed reading to the kid out of a book. It is a very homelike scene, indeed, and causes us to stop and look around in great surprise, for we are certainly not expecting such a scene at all.

As we stand there in the middle of the room somewhat confused the doll turns and looks at us, and the little kid sits up in bed. He is a fat little guy with a chubby face, and a lot of curly hair, and eyes as big as pancakes, and maybe bigger. The doll turns very pale when she sees us, and shakes so the book she is reading falls to the floor, but the kid does not seem scared, and he says to us in very good English like this:

'Who are you?' he says. Well, this is a fair question, at that, but naturally we do not wish to state who we are at this time, so I say: 'Never mind who we are, where is the King?'

'The King?' the kid says, sitting up straight in the bed, 'why, I am the King.'

Now of course this seems a very nonsensical crack to us, because we have brains enough to know that Kings do not come as small as this little squirt, and anyway we are in no mood to dicker with him, so I say to the doll as follows:

'Listen,' I say, 'we do not care for any kidding at this time, because we are in a great hurry. Where is the King?'

'Why,' she says, her voice trembling quite some, 'this is indeed the King, and I am his governess. Who are you, and what do you want? How do you get in here?' she says. 'Where are the guards?'

'Lady,' I say, and I am greatly surprised at myself for being so patient with her, 'this kid may be a King, but we want the big King. We want the head King himself,' I say.

'There is no other,' she says, and the little kid chips in like this:

'My father dies two years ago, and I am the King in his place,' he says. 'Are you English like Miss Peabody here?' he says. 'Who is the funny looking old man back there?'

Well, of course Jo-jo is funny looking, at that, but no one ever before is impolite enough to speak of it to his face, and Jo-jo begins growling quite some, while Izzy Cheesecake speaks as follows:

'Why,' Izzy says, 'this is a very great outrage. We are sent to get rid of a King, and here the King is nothing but a little punk. Personally,' Izzy says, 'I am not in favour of getting rid of punks, male or female.'

'Well,' Jo-jo says, 'I am against it myself as a rule, but this is a pretty fresh punk.'

'Now,' I say, 'there seems to be some mistake around here, at that. Let us sit down and talk things over quietly, and see if we cannot get this matter straightened out. It looks to me,' I say, 'as if this Count Saro is nothing but a swindler.'

'Count Saro,' the doll says, getting up and coming over to me, and looking very much alarmed. 'Count Saro, do you say? Oh, sir, Count Saro is a very bad man. He is the tool of the Grand Duke Gino of this country, who is this little boy's uncle. The Grand Duke will be King himself if it is not for this boy, and we suspect many plots against the little chap's safety. Oh, gentlemen,' she says, 'you surely do not mean any harm to this poor orphan child?'

Well, this is about the first time in their lives that Jo-jo and Izzy Cheesecake are ever mentioned by anybody as gentlemen, and I can see that it softens them up quite some, especially as the little kid is grinning at them very cheerful, although of course he will not be so cheerful if he knows who he is grinning at.

'Why,' Jo-jo says, 'the Grand Duke is nothing but a rascal for wishing harm to such a little guy as this, although of course,' Jo-jo says, 'if he is a grown-up King it will be a different matter.'

'Who are you?' the little kid says again.

'We are Americans,' I say, very proud to mention my home country. 'We are from Philly and Chicago, two very good towns, at that.'

Well, the little kid's eyes get bigger than ever, and he climbs right out of bed and walks over to us looking very cute in his blue silk pyjamas, and his bare feet.

'Chicago?' he says. 'Do you know Mr. Capone?'

'Al?' says Jo-jo. 'Do I know Al? Why, Al and me are just like this,' he says, although personally I do not believe Al Capone will know Jo-jo if he meets him in broad daylight. 'Where do you know Al from?' he asks.

'Oh, I do not know him,' the kid says. 'But I read about him in the magazines, and about the machine guns, and the pineapples. Do you know about the pineapples?' he says.

'Do I know about the pineapples?' Jo-jo says, as if his feelings are hurt by the question. 'He asks me do I know about the pineapples. Why,' he says, 'look here.'

And what does Jo-jo do but out with a little round gadget which I recognize at once as a bomb such as these Guineas like to chuck at people they do not like, especially Guineas from Chicago. Of course I never know Jo-jo is packing this article around and about with him, and Jo-jo can see I am much astonished, and by no means pleased, because he says to me like this:

'I bring this along in case of a bear fight,' he says. 'They are very handy in a bear fight.'

Well, the next thing anybody knows we are all talking about this and that very pleasant, especially the little kid and Jo-jo, who is telling lies faster than a horse can trot, about Chicago and Mr. Capone, and I hope and trust that Al never hears some of the lies Jo-jo tells, or he may hold it against me for being with Jo-jo when these lies come off.

I am talking to the doll, whose name seems to be Miss Peabody, and who is not so hard to take, at that, and at the same time I am keeping an eye on Izzy Cheesecake, who is wandering around the room looking things over. The chances are Izzy is trying to find a few of the valuable jewels such as I mention to him when telling him about the proposition of getting rid of the King, and in fact I am taking a stray peek here and there myself, but I do not see anything worth while.

This Miss Peabody is explaining to me about the politics of the country, and it seems the reason the Grand Duke wishes to get rid of the little kid King and be King himself is because he has a business deal on with a big nation near by which wishes to control the kid King's country. I judge from what Miss Peabody tells me that this country is no bigger than Delaware county, Pa., and it seems to me a lot of bother about no more country than this, but Miss Peabody says it is a very nice little country, at that.

She says it will be very lovely indeed if it is not for the Grand Duke Gino, because the little kid King stands okay with the people, but it seems the old Grand Duke is pretty much boss of everything, and Miss Peabody says she is personally long afraid that he will finally try to do something very drastic indeed to get rid of the kid King on account of the kid seeming so healthy. Well, naturally I do not state to her that our middle name is drastic, because I do not wish Miss Peabody to have a bad opinion of us.

Now nothing will do but Jo-jo must show the kid his automatic, which is as long as your arm, and maybe longer, and the kid is greatly delighted, and takes the rod and starts pointing it here and there and saying boom-boom, as kids will do. But what happens but he pulls the trigger, and it seems that Jo-jo does not have the safety on, so the Roscoe really goes boom-boom twice before the kid can take his finger off the trigger.

Well, the first shot smashes a big jar over in one corner of the room, which Miss Peabody afterwards tells me is worth fifteen G's if it is worth a dime, and the second slug knocks off Izzy Cheesecake's derby hat, which serves Izzy right, at that, as he is keeping his hat on in the presence of a lady. Naturally these shots are very disturbing to me at the moment, but afterwards I learn they are a very good thing indeed, because it seems a lot of guys who are hanging around outside, including Baron von Terp, and several prominent politicians of the country, watching and listening to see what comes off, hurry right home to bed, figuring the King is got rid of as per contract, and wishing to be found in bed if anybody comes around asking questions.

Well, Jo-jo is finally out of lies about Chicago and Mr. Capone, when the little kid seems to get a new idea and goes rummaging around the room looking for something, and just as I am hoping he is about to donate the valuable jewels to us he comes up with a box, and what is in this box but a baseball bat, and a catcher's mitt, and a baseball, and it is very strange indeed to find such homelike articles so far away from home, especially as Babe Ruth's name is on the bat.

'Do you know about these things?' the little kid asks Jo-jo. 'They are from America, and they are sent to me by one of our people when he is visiting there, but nobody here seems to know what they are for.'

'Do I know about them?' Jo-jo says, fondling them very tenderly, indeed. 'He asks me do I know about them. Why,' he says, 'in my time I am the greatest hitter on the West Side Blues back in dear old Chi.'

Well, now nothing will do the kid but we must show him how these baseball articles work, so Izzy Cheesecake, who claims he is once a star back-stopper with the Vine Streets back in Philly, puts on a pad and mask, and Jo-jo takes the bat and lays a small sofa pillow down on the floor for a home plate, and insists that I pitch to him. Now it is years since I handle a baseball, although I wish to say that in my day I am as good an amateur pitcher as there is around Gray's Ferry in Philly, and the chances are I will be with the A's if I do not have other things to do.

So I take off my coat, and get down to the far end of the room, while Jo-jo squares away at the plate, with Izzy Cheesecake behind it. I can see by the way he stands that Jo-jo is bound to be a sucker for a curve, so I take a good windup, and cut loose with the old fadeaway, but of course my arm is not what it used to be, and the ball does not break as I expect, so what happens but J o-jo belts the old apple right through a high window in what will be right field if the room is laid off like Shibe Park.

Well Jo-jo starts running as if he is going to first, but of course there is no place in particular for him to run, and he almost knocks his brains out against a wall, and the ball is lost, and the game winds up right there, but the little kid is tickled silly over this business, and even Miss Peabody laughs, and she does not look to me like a doll who gets many laughs out of life, at that.

It is now nearly ten o'clock, and Miss Peabody says if she can find anybody around she will get us something to eat, and this sounds very reasonable, indeed, so I step outside the door and bring in the guy we tie up there, who seems to be wide awake by now and very much surprised, and quite indignant, and Miss Peabody says something to him in a language which I do not understand. When I come to think it all over afterwards, I am greatly astonished at the way I trust Miss Peabody, because there is no reason why she shall not tell the guy to get the law, but I suppose I trust her because she seems to have an honest face.

Anyway, the guy in the uniform goes away rubbing his noggin, and pretty soon in comes another guy who seems to be a butler, or some such, and who is also greatly surprised at seeing us, and Miss Peabody rattles off something to him and he starts hustling in tables, and dishes, and sandwiches, and coffee, and one thing and another in no time at all.

Well, there we are, the five of us sitting around the table eating and drinking, because what does the butler do but bring in a couple of bottles of good old pre-war champagne, which is very pleasant to the taste, although Izzy Cheesecake embarrasses me no little by telling Miss Peabody that if she can dig up any considerable quantity of this stuff he will make her plenty of bobs by peddling it in our country, and will also cut the King in.

When the butler fills the wine-glasses the first time, Miss Peabody picks hers up, and looks at us, and naturally we have sense enough to pick ours up, too, and then she stands up on her feet and raises her glass high above her head, and says like this:

'Gentlemen, the King!'

Well, I stand up at this, and Jo-jo and Izzy Cheesecake stand up with me, and we say, all together:

'The King!'

And then we swig our champagne, and sit down again and the little kid laughs all over and claps his hands and seems to think it is plenty of fun, which it is, at that, although Miss Peabody does not let him have any wine, and is somewhat indignant when she catches Jo-jo trying to slip him a snort under the table.

Well, finally the kid does not wish us to leave him at all, especially Jo-jo, but Miss Peabody says he must get some sleep, so we tell him we will be back some day, and we take our hats and say good-bye, and leave him standing in the bedroom door with Miss Peabody at his side, and the little kid's arm is around her waist, and I find myself wishing it is my arm, at that.

Of course we never go back again, and in fact we get out of the country this very night, and take the first boat out of the first seaport we hit and return to the United States of America, and the gladdest guy in all the world to see us go is Ugly-face, because he has to drive us about a thousand miles with the muzzle of a rod digging into his ribs.

So [Kitty Quick says] now you know why we go to Europe.

Well, naturally, I am greatly interested in his story, and especially in what Kitty says about the pre-war champagne, because I can see that there may be great business opportunities in such a place if a guy can get in with the right people, but one thing Kitty will never tell me is where the country is located, except that it is located in Europe.

'You see,' Kitty says, 'we are all strong Republicans here in Philly, and I will not get the Republican administration of this country tangled up in any international squabble for the world. You see,' he says, 'when we land back home I find a little item of cable news in a paper which says the Grand Duke Gino dies as a result of injuries received in an accident in his home some weeks before.

'And,' Kitty says, 'I am never sure but what these injuries may be caused by Jo-jo insisting on Ugly-face driving us around to the Grand Duke's house the night we leave and popping his pineapple into the Grand Duke's bedroom window.'

End of Gentlemen, The King by Damon Runyon